Wei Qingji

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The Chinese Experimental Ink and Wash Seen from the Angle of the History of Art and the History of Ideology

The academic contention about the problem of ink and wash which has gone on for almost a century and the unceasing innovation of ink and wash parallel with it are two of the most thought-provoking phenomena in Chinese culture in the 20th Century.

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Contemporary Chinese Ink and Wash Under Cross-Cultural Conditions

According to my own viewpoint, I use in this article “contemporary experimental ink and wash” to denote the concept of “modern ink and wash“, because the concept of “modern” only belongs to the category of “modernism“.

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